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Cherry Blossoms

EMAILPRINTStrand Releasing

Cherry Blossoms reviews
62
8.9 User Score:

Generally favorable reviews

Based on 16 critic reviews
How did we calculate this?

Based on 11 votes
Read user comments
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Movie Info

Genre(s): Drama  |  Romance

Written by: Doris Dorrie

Directed by: Doris Dorrie

Release Date:
Theatrical: January 16, 2009
DVD: June 16, 2009

Running Time: 127 minutes, Color

Origin: Germany | France

Language(s): German | English | Japanese

Summary

RATING: Not Rated

Starring Elmar Wepper, and Hannelore Elsner

Only Trudi knows that her husband Rudi is suffering from a terminal illness. She decides not to tell him and convinces him to visit their family in Berlin. Then, suddenly, Trudi dies. Rudi is devastated but vows to make up for her lost life. And so he embarks on his last journey - to Tokyo - in the midst of the cherry blossom festival, a celebration of beauty, impermanence and new beginnings. (Strand Releasing)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90

Los Angeles Times Kevin Thomas

A stunning reminder of the omnipresence of mortality.

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83

Christian Science Monitor Peter Rainer

Throughout the film there are small, rapturous moments.

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80

Empire David Parkinson

Unpredictable and compelling, this draws parallels between Japanese and German cultures in interesting and moving ways.

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80

The Hollywood Reporter Deborah Young

Doerrie goes beyond the "Lost in Translation" jokes about East-West culture clashes to communicate something meaningful and deep about Japanese art and thought.

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75

Entertainment Weekly Adam Markovitz

There's a grace to it all, and moments of oddball poetry.

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75

Philadelphia Inquirer Carrie Rickey

Both austere and garish, simultaneously dry and sentimental, tightly repressed and extravagantly expressive, bourgeois and bohemian. It's a seesaw, but Dorrie finds the balance.

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75

San Francisco Chronicle Jonathan Curiel

The movie is an ideal blend of character study, deceptively simple plot twists, inspired acting, and travelogue.

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70

Washington Post Ann Hornaday

Thanks to an accomplished cast, anchored by Elsner and Wepper, and observant filmmakers, very little in Cherry Blossoms is lost in translation.

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70

Variety Eddie Cockrell

A successful novelist whose films bear the expansive plotting and telling character detail of the page, Doerrie never seems in any particular hurry to tell her tales, preferring the journey to the destination.

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67

The Onion (A.V. Club) Noel Murray

There's something a little shallow about contrasting ungrateful German kids with their respectful Japanese counterparts and presuming the cultural differences are so cut-and-dried.

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63

Boston Globe Ty Burr

It's a strained but heartfelt work of muted sentimentality, obvious in its symbolism but grounded in a sense of life's preciousness and brevity. Depending on your mood and indulgence, you may weep or you may be left out in the cold.

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60

New York Daily News Elizabeth Weitzman

Refusing to be rushed, Doris Dörrie blends individual experiences with universal emotions to create a quietly moving study of self-discovery.

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50

The New Yorker David Denby

The movie's conceits are just barely endurable, but the sharpness of Dörrie's eye--for Tokyo's electric night, for Fuji's iconographic landscapes, for cherry blossoms--sustains emotion even when story logic fails.

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50

The New York Times A.O. Scott

While Ms. Dörrie’s film is exquisitely shot, its themes and metaphors are obvious rather than subtle, and its emotional rhythms -- rueful laughter punctuating the pathos -- would not be out of place in a television drama.

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50

New York Post V.A. Musetto

At more than two hours, Cherry Blossoms could do with some pruning. And do husband and wife have to have rhyming names?

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50

Village Voice Ella Taylor

The best I can say for Cherry Blossoms is that it's made with love; the worst, that it's been a big hit in Germany. Yearning for Ozu, Dörrie stops off at cute, and parks.

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What Our Users Said

The average user rating for this movie is 8.9 (out of 10) based on 11 User Votes

Note: User votes are NOT included in the Metascore calculation.

Kenji C gave it a9:
A German director Doris Dorrie’s third film in her trilogy on Japan, Cherry Blossoms, is an exquisite, absorbing and deeply moving meditation on life, death, loss, loneliness and grief. Talking about old parents with alienated and indifferent descendants, the first half of the film may remind the audience of Yasujiro Ozu’s film made in 1953, Tokyo Monogatari. The six hugging-or-massage (by family members and strangers) scenes and the father’s harmonious relationships with his daughter’s girlfriend and a Japanese girl successfully highlight the poor relationship between the father and his children. The second half in which the main character embarks on a reflective journey in search of traces of the deceased love captures the mood of Lost in Translation and Riding Alone for Thousands of Miles. The cultural shock experienced also makes the film distinguishable from Under the Sand. Cherry blossoms and Mount Fuji symbolize the fleeting and unpredictable nature of life. The film delivers a message that we should treasure the people around us, pursue our dreams and enjoy life to the full so that we will have no regrets. Besides, it is also about the main character’s inability to communicate with not only the dead, but also the living family members. Butoh, a Japanese dance, helps people to feel and establish connections with others. What’s more, the audience can pay attention to the symbolic meaning of the drawings at the beginning of the film and the photos at the end. The cinematographer and the composer also succeed in evoking different tones from several shooting locations in Germany and Japan. The suburbs contrast sharply with the hustle and bustle of city life. Apart from the haunting visual images and the Japanese music playing upon the audience’s heartstrings, the characters are so lifelike and well-acted that the audience will care about what happens to them. On the whole, although Cherry Blossoms is a bit too long, without emotional bludgeoning or syrupy manipulation, it is a sincerely made little road movie producing emotional resonance and reflective ripples in a whisper.

Chris K. gave it a9:
The film shows not only the dynamics of husband and wife, but also of parents and children. Love can be taken for granted, and time shows no mercy on those who wait for happiness and intimacy. I was not totally engrossed in the movie, but I did find it emotionally satisfying.

Julia A. gave it a9:
Portrayal of wanderlust in affection and admiration.

Walter L. gave it a9:
A charming movie about youth, old age, death and hope across cultures.

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